Graphics and Vision

Example-Based Control of Human Motion
In human motion control applications, the mapping between a control specification and an appropriate target motion often defies an explicit encoding. We present a method that allows such a mapping to be defined by example, given that the control specification is recorded motion. Our method begins by building a database of semantically meaningful instances of the mapping, each of which is represented by synchronized segments of control and target motion. A dynamic programming algorithm can then be used to interpret an input control specification in terms of mapping instances. This interpretation induces a sequence of target segments from the database, which is concatenated to create the appropriate target motion. We evaluate our method on two examples of indirect control.

Texture Transfer Using Geometric Correlation
Texture variation on real-world objects often correlates with underlying geometric characteristics and creates a visually rich appearance. We present a technique to transfer such geometry-dependent texture variation from an example textured model to new geometry in a visually consistent way. It captures the correlation between a set of geometric features, such as curvature, and the observed diffuse texture. We perform dimensionality reduction on the overcomplete feature set which yields a compact guidance field that is used to drive a spatially varying texture synthesis model. In addition, we introduce a method to enrich the guidance field when the target geometry strongly differs from the example.

Image-Driven Navigation of Analytical BRDF Models
Specifying parameters of analytic BRDF models is a difficult task as these parameters are often not intuitive for artists and their effect on appearance can be non-uniform. Ideally, a given step in the parameter space should produce a predictable and perceptually-uniform change in the rendered image. Systems that employ psychophysics have produced important advances in this direction; however, the requirement of user studies limits scalability of these approaches. In this work, we propose a new and intuitive method for designing material appearance. First, we define a computational metric between BRDFs that is based on rendered images of a scene under natural illumination. We show that our metric produces results that agree with previous perceptual studies.

Statistical Acquisition of Texture Appearance
We propose a simple method to acquire and reconstruct material appearance with sparsely sampled data. Our technique renders elaborate view- and light-dependent effects and faithfully reproduces materials such as fabrics and knitwears. Our approach uses sparse measurements to reconstruct a full six-dimensional Bidirectional Texture Function (BTF). Our reconstruction only require input images from the top view to be registered, which is easy to achieve with a fixed camera setup. Bidirectional properties are acquired from a sparse set of viewing directions through image statistics and therefore precise registrations for these views are unnecessary. Our technique is based on multi-scale histograms of image pyramids.

Opacity Light Fields
We present new hardware-accelerated techniques for rendering surface light fields with opacity hulls that allow for interactive visualization of objects that have complex reflectance properties and elaborate geometrical details. The opacity hull is a shape enclosing the object with view-dependent opacity parameterized onto that shape. We call the combination of opacity hulls and surface light fields the opacity light field. Opacity light fields are ideally suited for rendering of the visually complex objects and scenes obtained with 3D photography. We show how to implement opacity light fields in the framework of three surface light field rendering methods: viewdependent texture mapping, unstructured lumigraph rendering, and light field mapping.

A Frequency Analysis of Light Transport
We present a signal-processing framework for light transport. We study the frequency content of radiance and how it is affected by phenomena such as shading, occlusion, and travel in free space. This extends previous work that considered either spatial or angular dimensions, and offers a comprehensive treatment of both space and angle. We characterize how the radiance signal is modified as light propagates and interacts with objects. In particular, we show that occlusion (a multiplication in the primal space) amounts in the Fourier domain to a convolution by the frequency content of the blocker. Propagation in free space corresponds to a shear in the space-angle frequency domain, while reflection on curved objects performs a different shear along the angular frequency axis.

Motion Magnification
We present motion magnification, a technique that acts like a microscope for visual motion. It can amplify subtle motions in a video sequence, allowing for visualization of deformations that would otherwise be invisible. To achieve motion magnification, we need to accurately measure visual motions, and group the pixels to be modified. After an initial image registration step, we measure motion by a robust analysis of feature point trajectories, and segment pixels based on similarity of position, color, and motion. A novel measure of motion similarity groups even very small motions according to correlation over time, which often relates to physical cause.

Texture Design Using a Simplicial Complex of Morphable Textures
We present a system for designing novel textures in the space of textures induced by an input database. We capture the structure of the induced space by a simplicial complex where vertices of the simplices represent input textures. A user can generate new textures by interpolating within individual simplices. We propose a morphable interpolation for textures, which also defines a metric used to build the simplicial complex. To guarantee sharpness in interpolated textures, we enforce histograms of high-frequency content using a novel method for histogram interpolation. We allow users to continuously navigate in the simplicial complex and design new textures using a simple and efficient user interface.

Mesh-Based Inverse Kinematics
The ability to position a small subset of mesh vertices and produce a meaningful overall deformation of the entire mesh is a fundamental task in mesh editing and animation. However, the class of meaningful deformations varies from mesh to mesh and depends on mesh kinematics, which prescribes valid mesh configurations, and a selection mechanism for choosing among them. Drawing an analogy to the traditional use of skeleton-based inverse kinematics for posing skeletons, we define mesh-based inverse kinematics as the problem of finding meaningful mesh deformations that meet specified vertex constraints. Our solution relies on example meshes to indicate the class of meaningful deformations.

Defocus Video Matting
Video matting is the process of pulling a high-quality alpha matte and foreground from a video sequence. Current techniques require either a known background (e.g., a blue screen) or extensive user interaction (e.g., to specify known foreground and background elements). The matting problem is generally under-constrained, since not enough information has been collected at capture time. We propose a novel, fully autonomous method for pulling a matte using multiple synchronized video streams that share a point of view but differ in their plane of focus. The solution is obtained by directly minimizing the error in filter-based image formation equations, which are over-constrained by our rich data stream.